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CHRISTMAS 1992

STAINED GLASS windows have their own transcendental beauty. Our churches and cathedrals house a rich legacy of stained glass and a distinctive contribution to that tradition was made in the present century by the artists of the Arts and Crafts Movement. The exceptional quality of their work, a marriage of impeccable craftsmanship and artistic vision, yielded 'a rich heritage for the world, set alight by the daily miracle of the dawn.' There could be no more fitting way of celebrating Christmas than by using characteristic details of their designs, from churches around the country, to illustrate the story of the Nativity.

Stamp acknowledgements. The first stamp shows the Angel Gabriel, part of the east window (1920) of St James's Church, Pangbourne, Berkshire, by Karl Parsons (1884-1934). The second stamp shows Mary and Jesus, from the north chancel window (1927) of St Mary's Church, Bibury, Gloucestershire, by Karl Parsons. The third and fifth stamps show respectively King with Crown and Two Kings with Gifts, both from the west window (c. 1926) of Our Lady and St Peter's Church, Leatherhead, Surrey, by Paul Woodroffe (1875-1954). The fourth stamp shows the Three Shepherds, from part of the five-light east window (1928) at All Saints' Church, Porthcawl, Mid Glamorgan, by Karl Parsons.

Technical Details

Date of issue: 10 November 1992. The five stamps were designed by Carroll, Dempsey & Thirkell Limited. Consultant: Peter Cormack, Deputy Keeper of the William Morris Gallery, London, Hon. Fellow of the British Society of Master Glass-Painters, co-editor of The Journal of Stained Glass. Printed in photogravure by Harrison & Sons Limited. Stamp designs © Royal Mail Stamps 1992. Format: horizontal. Size: 41 mm × 30 mm. Perforations: 15 × 14. Number per sheet: 100. Paper: unwatermarked phosphor-coated, except for the lowest value which has one phosphor bar. Gum: PVA Dextrin.

The cover was designed by Carroll, Dempsey & Thirkell Limited. Text by Tim Shackleton. Picture captions and credits: (left) portrait drawing of Dee Duursma, c. 1912, private collection; (right) portrait drawing of Miss Doris Domette, 1912, collection Peter Cormack.

 

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